In the middle ages there was a constant succession of pageants, processions and tournaments.
All work was to be suspended that all might join in the processions.
The subjects depicted are processions of figures, human and divine (Yasili Kaya, Euyuk, Giaur Kalessi); scenes of sacrifice or adoration, or other cult-practice (Yasili Kaya, Euyuk, Fraktin, Ivriz, and perhaps the figures seated beside tables at Marash Sakchegeuzu, Sinjerli, &c.); of the chase (Arslan Tepe, Sakchegeuzu); but not, as known at present, of battle.
Alms were often given even to non-gildsmen; lights were supported at certain altars; feasts and processions were held periodically; the funerals of brethren were attended; and masses for the dead were provided from the common purse or from special contributions made by the gildsmen.
One type took the form of a candelabrum with a small flat brazier on the top. They were carried in processions and were lifted by cords.
