The book was dramatized by the younger Colman as The Iron Chest.
In Messenia (according to a legend dramatized by Euripides in the 5th century, and renovated for political ends in the 4th century) the descendants of Cresphontes quarrelled among themselves and were exterminated by the natives.
Among successful dramatic pieces may be mentioned the Falu rossza (Village Scamp) of Edward Toth (1875), which represents the life of the Hungarian peasantry, and shows both poetic sentiment and dramatic skill; A szerelem harcza (Combat of Love), by Count Geza Zichy; Iskdriot (1876) and the prize tragedy Tamora (1879), by Anthony Varady; Janus (1877), by Gregory Csiky; and the dramatized romance Szep Mikhal (Handsome Michal), by Maurus Jokai (1877).
His story has been dramatized by Max Ring, Die Genfer (1850), by Jose Echegaray, La Muerte en los Labios (1880), by Albert Hamann, Servet (1881), and by Prof. Shields, The Reformer of Geneva (1897).
Each wrote copiously in verse, but Johan (1640-1684), who was professor of poetry at Upsala, almost entirely in Latin, while Samuel (1642-1679), especially in his Odae sveticae, showed himself an apt and fervid imitator of the Swedish hexameters of Stjernhjelm, to whom he was at one time secretary, and whose Hercules he dramatized.