It rises, as the Boro or Telgona, in Dar Fertit, and receives from the south and south-west the Raga, Sopo, Chel and Bongo.
Each song features a different tabla beat and melodies based on a different Indian raga.
Bailey also played a raga mash up with loads of dancehall tunes midway through the set.
This is equally true of The State of Moksha, which also settles upon the listener like an evening raga.
As this note is in the upper tetrachord of the scale, the raga is then classified as a morning raga.