The guidance of Hans Richter has given us a sure bulwark against the misrepresentation of Wagner; and so there is hope that Wagner may yet be saved from such an oblivion in fetish-worship as has lost Handel to us for so long.
The term fetish is commonly understood to mean the worship of or respect for material, inanimate objects, conceived as magically active from a virtue inherent in them, temporarily or permanently, which does not arise from the fact that a god or spirit is believed to reside in them or communicate virtue to them.
In the sense in which Dr Tylor uses the term the fetish is (1) a "god-house" or (2) a charm derived from a tutelary deity or spirit, and magically active in virtue of its association with such deity or spirit.
After making an offering the object is carried to an appropriate spot and a "fetish" tree set up as a shade for it, which is sacred so long as the bohsum remains beneath it.
We find such divine standards ~ often depicted on the earliest monuments, and among the symbols placed upon them may be detected the images of many deities destined to play an important part in the later national pantheon, such as the falcon Horus, the wolf Wepwawet (Ophois) ~ the goddess Neith, symbolized -~r~.by a shield transfixed with arrows, and the god Mm ~r, the nature of whose fetish is obscure.