Handel's orchestra is less detailed.
But the treatment of instruments in Bach and Handel has a radical difference from that of the art which was soon to succeed it.
There is hardly one of Wagner's orchestral innovations which is not inseparably connected with his adaptation of music to the re q uirements of drama; and modern conductors, in treating Wagner's orchestration, as the normal standard by which all previous and contemporary music must be judged, are doing their best to found a tradition which in another fifty years will be exploded as thoroughly as the tradition of symphonic additional accompaniments is now exploded in the performances of Bach and Handel.
Among musical organizations may be mentioned the Handel and Haydn Society (1815), the Harvard Musical Association (1837), the Philharmonic (1880) and the Symphony Orchestra, organized in 1881 by the generosity of Henry Lee Higginson.
Geering, Handel and Industrie d.
