For the sake of euphony, a vowel is frequently interpolated between two consonants; e.g.
Finally it must be remembered that musical euphony and emotional effect are inseparable from considerations of harmony and polyphony.
The language is much ruled by laws of euphony, which have been strictly formulated by native grammarians.
The conditions which approximate most closely to our present, perfect, future and imperative are marked either by aspiration of the initial or by one of the five prefix consonants according to the rules of euphony, and the whole looks like a former system thrown into confusion and disorder by phonetic decay.
In its rudiments it is akin to the HamitoSemitic group. It possesses two grammatical genders, not masculine and feminine, but the human and the non-human; the adjective agrees in assonance with its noun, and euphony plays a great part in verbal and nominal inflections.